Letter from the Editors
Our world is filled with erotic energy.
The word erotic is loaded and, at best, ambiguous; yet, for most of us, it’s also excitatory. It elicits
sensations, memories, fantasies, an entire world that is most often submerged below the surface of our
everyday selves. But what, exactly, is erotic and what does it mean to publish a magazine dedicated to
the erotic in arts and literature?
Perhaps in contemplating the erotic, we should gaze backwards toward ancient Greece where the
concept was borne from the flutter of Eros’s wings. The word erotic comes from the Greek myth of Eros.
Eros, once a primordial force within the universe and then, in later myths, the offspring of Aphrodite and
Ares, Eros came to represent those forces of love and fertility. In part, the early myths have endured and
even transmutated from culture to culture because they capture the complexity of the human experience and distill it into simple archetypes and stories. Eros is no different. Though Eros’s origins evolved over time, he has remained a force active in the lives of all of us, igniting within us our own carnality and desire.
With this in mind, I like to think of Eros as the seat of our soul from which the most primal and sexual
parts of our natures emerge. The erotic, then, is the form in which our carnality takes shape.
When contemplating the themes of Pink Disco, I thought hard about what it means to feel that energy.
On the one hand, we could easily look at what has become commodified as sex in our society and point
to that as erotic. To some extent, this works. But I also firmly believe some of the most potent sex we
encounter is founcd in the sublime and secret whispers of our everyday lives.
Don’t get me wrong. Pink Disco welcomes latex, leather, nipple clamps, and feathers. We want to see your O face. But we also believe the most explicit sex is not an isolated act but the apex of the totality of our experience; it is a celebration of what it means to be human, to have a body, and to experience sensation.
Pink Disco, then, is a celebration of the erotic, our carnality, our bodies, and ultimately our humanness.
Come play with us.
Pink
DARK ENCOUNTERS
September 23, 2023
I have long had a fascination with and an interest in the occult and magic(k). It’s no coincidence that the release of each issue of Pink Disco corresponds to the two solstices and two equinoxes that punctuate the quarterly phases of our calendar. The word occult quite literally means hidden and connotes an act of making the invisible visible, which may very well be as good a definition of magic as I can summon.
Though many, including myself, would argue that the occult and magic aren’t inherently “dark”, the idea of something hidden conjures images of shadows, darkness, and the clandestine. Maybe this is why we’ve long associated fall, with the passing of the autumnal equinox, with witches, ghosts, cryptids, and the fantastical. Fall is a season of quiet, solemnity, and encroaching darkness. It’s the season of the witch. It’s the season for the occult.
The theme for this issue is dark encounters and it was selected with the intention of ushering in the autumnal season. The pieces contained in this issue focus, in one way or another, on making the invisible visible, whether it’s an encounter with a satanic figure like in Susan Kuchinskas’s “Kiss the Devil”, a confrontation with one’s inner shame as in Mickey Kennedy’s “One-Sided”, or the spectral force of desire, such as in Z. Howard’s “fantasies unwound.” We also have the apparition of spirits such as Lilith and Persephone in the poetry of Kelsey Kessler, two figures I have a personal affinity towards. Persephone makes yet another appearance in Janelle Crawford-Hine’s “The High Priestess”, reprinted here from issue 1. Finally, in “Man’s Gotta Eat,” Mouli Sharma challenges the moral assertion that “heroes don’t do that”, one that DC made about their own Dark Knight giving cunnilingus to Catwoman.
And, as always, I’ve included a playlist to help accentuate the theme, as inspired by the writing contained in this issue.
Enjoy!
Playlist here.
Note: Making the invisible visible is an idea borrowed from the author of Art in the Age of Artifice and co-host of Weird Studies, J.F. Martel.
Though many, including myself, would argue that the occult and magic aren’t inherently “dark”, the idea of something hidden conjures images of shadows, darkness, and the clandestine. Maybe this is why we’ve long associated fall, with the passing of the autumnal equinox, with witches, ghosts, cryptids, and the fantastical. Fall is a season of quiet, solemnity, and encroaching darkness. It’s the season of the witch. It’s the season for the occult.
The theme for this issue is dark encounters and it was selected with the intention of ushering in the autumnal season. The pieces contained in this issue focus, in one way or another, on making the invisible visible, whether it’s an encounter with a satanic figure like in Susan Kuchinskas’s “Kiss the Devil”, a confrontation with one’s inner shame as in Mickey Kennedy’s “One-Sided”, or the spectral force of desire, such as in Z. Howard’s “fantasies unwound.” We also have the apparition of spirits such as Lilith and Persephone in the poetry of Kelsey Kessler, two figures I have a personal affinity towards. Persephone makes yet another appearance in Janelle Crawford-Hine’s “The High Priestess”, reprinted here from issue 1. Finally, in “Man’s Gotta Eat,” Mouli Sharma challenges the moral assertion that “heroes don’t do that”, one that DC made about their own Dark Knight giving cunnilingus to Catwoman.
And, as always, I’ve included a playlist to help accentuate the theme, as inspired by the writing contained in this issue.
Enjoy!
Playlist here.
Note: Making the invisible visible is an idea borrowed from the author of Art in the Age of Artifice and co-host of Weird Studies, J.F. Martel.
Poetry
You Are the White Birds
Fantasy
Romance Re-Called: for Helena Qi Hong
To Li Lan: the Highest Manifestation
Midnight Sky
An Ocean Girl’s Guide to River and Lake Swimming
fantasies unwound
tuesday afternoons
One-Sided
Venn Diagram
Nice Jewish Girls
A Pair of Ruby Red Slippers Threw Up All Over My Dining Room
Persephone
Ecstasy
Transformation
Fiction
Kiss the Devil
Disappeared
Visual Art
The High Priestess (reprinted from issue 1)
Sin and Smoke
The Devil
Man’s Gotta Eat
Cathexis